Opera music appreciation can start from the following aspects:

Vocal aspect

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Tone and charm: Different dramas have unique tone requirements.For example, Peking opera old students use true sounds, and the sound is mellow, showing a calm and calm atmosphere; while the horn uses a false sound, the sound is delicate and delicate, and the charm is full.Like Mr. Mei Lanfang's singing, it is smooth and smooth, reflecting the unique charm of Peking Opera.
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Characteristics: The cavity is the key to singing.The water grinding cavity of Kunqu is delicate and gentle. A word of a word is often dragged very long, and there are many decorative sounds. For example, the singing cavity in "Peony Pavilion · Touring Dreams" fully reflects this feature.

Instrumental music

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Musical instrument combination: The combination of musical instruments in opera has the characteristics of the drama.The "three major pieces" of Peking Opera are Beijing Hu, Yueqin and Xiao Sanxian. They cooperate with each other to accompany the actors' singing.During the performance, Jinghu's voice was high and bright, which played a leading role.
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Performing skills: opera instruments have unique performance skills.In the Qinqiang, such as Banhu often uses slide skills, which can show the exciting generosity and simple and rough style of Qin Qiang.

Drama and role

The role of the character is different from the music: the music of different characters is different.In the Yue drama, the vocal aria is often chic and elegant, while Huadan's vocal cavity is more playful and lively to reflect different character character.

Plot and music cooperation: Good opera music can promote the development of the plot.In "Liang Shanbo and Zhu Yingtai", the music of "Eighteenth Eighteen" is easy and happy, showing the innocent feelings between Liang Shanbo and Zhu Yingtai; the music when the "Tower Club" becomes sadEssence